Each issue covers
one specific technique.
Continuity cuts, match-on-action, J-cuts, L-cuts — the newsletter works through film editing essentials one at a time, with annotated examples from actual films.
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since 2015
calendar year
A focused format, not a broadcast
Each issue goes out roughly every two months. There is no filler content — when a topic does not have enough material to stand alone, it waits for the next cycle. Readers get depth, not frequency.
Whateach issue contains
Scene breakdown with timecodes
A single sequence from a film is examined cut by cut, with attention to pacing decisions and editor intent — not plot summary.
Technique reference with terminology
The editing term covered in the issue is defined precisely, with historical context and software-specific notes where relevant.
One practical exercise
A short editing task that can be completed in Premiere, DaVinci, or Avid — designed to apply the concept from the issue directly.
Common questions about the newsletter
The answers below cover delivery, access, and scope — for anything else, write to [email protected].